Editorial Reviews:
Book Description
This highly acclaimed reference book presents a comprehensive overview of the legal issues faced by anyone working in the visual arts. The narrative text is arranged into twenty-four chapters covering: copyright, contracts, censorship, moral rights, sales (by artist, gallery, or agent), taxation, estate planning, museums, collecting, and grants. The book suggests basic strategies, gives information to help with further action, and contains many sample legal forms and contracts. This edition is a complete revision, providing not only updated legal information, but also covering the ever-increasing importance of new media and electronic rights.
Customer Reviews:
Review #1: Great Reference Guide
2004-11-22 
Even if you have the luxury of an attorney that speicalizes in art contracts, as I do, this is a great book of forms to keep handy for quick reference. My advice is to get it with his other book: Business & Legal Forms for Fine Artists also by Tad Crawford
Review #2: If not this book, what else?
2002-01-24
As the title of the book stated, "Legal guide for the VISUAL ARTIST", the book covers information that is aimed at VISUAL artists, including photographers, painters, printmakers, designers, sculptors, illustrators, textile designers, cartoonists, and craftspeople. Wow! Wow, all right. That may be the reason some artists may have found the book full of legalese. In my humble opinion, this is a must-have for anyone that claims oneself to be one of the ones listed above. If not this book, what else? Starting from the minute one decides to have some "interaction" with other human beings regarding the making (or selling) of one's art, this book is of big help. For instance, an artist may decide to hire a model to paint a picture, this book will guide him/her how to prepare a model release form in order to guarantee the artist benefits of the painting created, without problems such as violation of privacy in the long run. This book is also a critical line of defense for the artists in dealing with copyrights, ownership, insurance, and tax income, etc. My guess is that if one is simply an artist, one would read through the book (or at least sections of immediate concern, for instance, a painter would not have to worry too much about sections for photographers) and scan through the whole book for information. As far as using the book on a regular basis, I believe by frequently reviewing relevant sections, as well as making use of sample forms provided in the book, any visual artist will find this book an indispensable tool for his/her art making/selling process. Strongly recommended.
Review #3: Best/Clearest Guide, Best and All-Inclusive Forms
2000-11-09 
I've bought several books on this issue and am most impressed by the quality of the information here -- it's presented clearly and fully, and includes the best forms I've seen available outside of the legal field. As I'm an ex-paralegal, I find the language of the contracts undertstandable; many of my artist friends seem to think that they are still too filled with legalese, but that's contract law and sometimes necessary. That's the only reason this book gets a 4-star and not a 5-star rating. I'm buying my own copy since I basically trashed the studio's copy -- it's helpful enough that you'll use it on an ongoing basis. |
