Editorial Reviews:
Amazon.com Copyright law is a complex field, and it's crucial for writers to understand what's entailed. Stephen Fishman covers what a copyright is, how it's created and protected, limitations and transfer of ownership, how long it lasts, and what copyright infringement is all about. There are chapters on copyright registration, copyright notice, and how to deal with errors or omissions. Fishman also wades into the issues of derivative works and compilations, works for hire, and jointly authored works. He also tackles the confusion of copyrights in the online world of electronic publishing; the book is worth its price for this chapter alone. The appendix contains a variety of sample forms and blank forms and a PC-formatted disk of the same material.
Book Description Ignorance is not bliss in the information age. If you create original works, you must understand copyright law or risk becoming a skid mark on the information superhighway. The Copyright Handbook provides you with all the information and forms you'll need to protect all types of creative expression under U.S. and international copyright law. Written in plain English, this must-have handbook tells you everything you need to know about: *how to register a written work with the copyright office *what works can be protected *when and how to use a copyright notice *copyright protection for works for hire, adaptations, new editions, electronic mail, literary works and periodicals, and compilations (databases and catalogs) *rights and duration of ownership *transfer of copyright ownership *what constitutes infringement and how to avoid it *how to recognize an adapted or recast work *fair use: when and how copyrighted material can be used *electronic publishing rights *registration of multimedia works and multimedia rights *how to protect written works on the Internet The 8th edition of The Copyright Handbook is completely updated to provide the latest case law, copyright registration forms and copyright regulations. It also provides a new section on permissions and releases. All forms are included as tear-outs and on CD-ROM.
Customer Reviews:
Review #1: Plagirism Problems 2006-03-31  I hire work-for-hire writers to create story anthologies and have become increasingly frustrated by the tendency of many to liberally "borrow" the written words of others found via the Internet. This book's chapters on Copyright Infringement and Copyright in the Online World have been invaluable resources that I have used to educate both myself and my writers. The author has wonderful tools for assessing and evaluating similarities between two texts, a test for paraphrasing, sample legal cases and judgments, letters to send to copyright violaters, an examination of liability issues, and more.
I routinely purchase an updated copy of this handbook every few years. The blank forms in the Appendix and the accompanying CD are worth the price of the book alone. The author does a great job of covering copyright basics, copyright notice, and copyright registration. The book offers easy-to-understand explanations of some pretty complex legal issues. You should be able to find answers to your copyright FAQs here. Very thorough and a bargain, especially when you consider what a lawyer charges. I'm not advocating that you don't avail yourself of a lawyer when necessary, but it pays to do your homework and understand the issues, and with this book you can.
Review #2: poor investment 2006-03-15  A redundant and poorly written tome that does not answer the important questions.
Review #3: The best handbook on how to protect and use written works. 2003-08-11  This is one of more than 30 Nolo books I have been using for the last 3 years in my small business. As usual, Nolo doesn't disappoint in this comprehensive book on copyright law and instructions on how to protect your written works. The book comes with many tear out forms with the electronic versions of the forms on CD-ROM. Common and not so common topics are addressed. I was immediately interested in the Chapters on Copyright Basics, Copyright Notice, and Copyright Registration. These three chapters gave me the most vital information I needed to know about Copyrights. For example, I didn't know that works don't need to be registered to be protected by the Copyright Law but if registered with the Copyright office in a timely fashion, the owner gets some special benefits in the case of copyright infringement. I also understood the different treatment given to published and unpublished works. The sections on copyrights in the online world was of even greater interest to me as I am in the process of creating some websites with online content. I had not known that I could register my online work (as long it met the same requirements for registering copyrights on normal works). The chapter on online works also has detailed information on how deep links are treated, etc. The section on Fair Use was very helpful as it explained as clearly as possible the circumstances under which you CAN copy a copyrighted work as long as it met the Fair Use guidelines. Even the less frequently researched topics like 'Transferring Copyright Ownership' and 'International Copyright Protection' are addressed in sufficient detail. All in all, this is a very important book if you have any kind of work that you want to copyright or if you are considering the implications of copying somebody's work under the Fair Use guidelines. The book is by no means an easy read but Nolo does an excellent job of explaining this fairly complicated subject in plain English for the ordinary person (which seems to be the goal in all of their books). I went to the Nolo website for the latest information on the Copyright Law and wasn't disappointed there either. They have a terrific FAQ section that explains in great detail some of the latest information pertaining to the Copyright Law (especially as applicable in the online world). I hope you are able to benefit to the same extent that I did, and good luck!
Review #4: My Copy is Getting Dog-Eared 2002-02-11  After doing quite a bit of research on the internet on copyright law, I purchased several copyright related books. The best of the bunch, in my mind, is "The Copyright Handbook," by Stephen Fishman, written to address copyright as it applies to written works. Published in March, 2000, the 5th edition of this book is still up to date with the copyright law of the United States. Fishman does a good job of simplifying complicated issues. This is consistent with the goal of the publisher, Nolo, in publishing "quality law books & software for non-lawyersĂ˝" that are "easy to use." Included in the book are segments on issues and topics such as what is covered by copyright, what works are protected, duration of copyright, the Digital Millennium Copyright Act, the Sony Bono Copyright Extension Act, fair use, electronic publishing, and protecting works on the internet. I keep my copy on a shelf just above my computer that I can readily reach when copyright questions arise.
Review #5: A good primer to copyright 2000-12-07  There's no substitute for a good copyright attorney when you have a problem on your hands, but for the everyday business of securing and registering your work, you can't go wrong with this book. There's even a good chapter on the confusing field of cyberspace copyright, and international copyright treaties are given adequate due. But the book either overreaches or doesn't do enough, depending on one's point of view. The title of this book explicitly states that the subject is written works. However, the discussion on "moral rights", although brief, seems very pointless because moral rights apply to artists, not writers. Similar irrelevancies pop up here and there. The upshot is that this book is for visual artists as well as writers, while giving short shrift to musicians, architects, and others who need a book such as this for copyright issues as well. The solution, of course, is either to make this book just for writers and eliminate the extraneous stuff, or to make the book more inclusive and provide tips for all types of copyrighted material. Making the book more inclusive wouldn't even require that much more work. So, writers and artists, get this book as soon as possible. Everyone else can benefit from its tips as well, but should at least check out the Library of Congress's website for further details that the book misses. |